Willowood, Kentucky 1965 – Robin Lee Carter meets violence with violence, then disappears. She reinvents herself and is living a respectable life as Catherine Henry, married to a medical school dean in Tucson, Arizona. In 1985, when their 5-year-old son, Michael, is diagnosed with a chemotherapy-resistant leukemia, Catherine must return to Willowood, face her family and the 19-year-old son, a product of her rape, she gave up for adoption. She knows her return will lead to a murder charge, but Michael needs a bone marrow transplant. Will she find forgiveness, and is she willing to lose everything, including her life, to save her dying son?
Targeted Age Group: 18-80
Susan Clayton-Goldner was born in New Castle, Delaware and grew up with four brothers along the banks of the Delaware River. She is a graduate of the University of Arizona’s Creative Writing Program and has been writing most of her life. Her novels have been finalists for The Hemingway Award, the Heeken Foundation Fellowship, the Writers Foundation and the Publishing On-line Contest. Susan won the National Writers’ Association Novel Award twice for her novels and her poetry was nominated for a Pushcart Prize.
Her work has appeared in numerous literary journals and anthologies including Animals as Teachers and Healers, published by Ballantine Books, Our Mothers/Ourselves, by the Greenwood Publishing Group, The Hawaii Pacific Review-Best of a Decade, and New Millennium Writings. A collection of her poems, A Question of Mortality was released in 2014 by Wellstone Press. Her novel, A Bend In The Willow, was published in January 2017. Redemption Lake, the first in a 3-book detective series, will be released May 17, 2017 Prior to writing full time, Susan worked as the Director of Corporate Relations for University Medical Center in Tucson, Arizona.
Susan shares a life in Grants Pass, Oregon with her husband, Andreas, her fictional characters, and more books than one person could count. In her spare time, Susan likes to make quilts and stained glass windows. She says it is a little bit like writing, telling stories with fabric and glass.
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